霍米·巴巴和托尼·莫里森在当代美国文坛都占据着举足轻重的地位。巴巴作为后殖民主义话语“神圣三位一体”的重要成员,以其混杂性理论和世界主义理想独树一帜,为全世界的“少数族”公民寻求叙述权;而莫里森,一个在美国社会夹缝中顽强生存的黑人女性,可谓是“少数族”的重要代表。她那富有诗意的文字书写出了异质文化之间交流与融合的美好愿望,而这恰恰与巴巴的后殖民主义理论核心相呼应。以莫里森的第四部长篇小说《柏油孩子》为蓝本,试求解读这两位文学大师的共同理想。 Homily Baba and Tony Morrison occupy a pivotal position in the contemporary American literary arena. As an important member of post-colonial discourse “Holy Trinity ”, Baba is unique in its hybridism theory and cosmopolitan ideal and seeks narrative rights for “minority ” citizens of the world. Morrison, a member of the United States Black women who persevere in the social cracks can be described as the important representatives of the “minorities.” Her poetic writing has written the good wishes of the exchange and integration between heterogeneous cultures, which exactly coincides with Baba’s post-colonialist theory. Based on Morrison’s fourth novel “Asphalt Kids”, I try to interpret the common ideal of these two masters of literature.