20世纪八九十年代,中国电影形成了独特的、被称为“主旋律”的电影形态。新世纪以降,以《建国大业》为代表的一系列影视作品则预示着“主旋律”经历的转变,由此产生的新作品,如《建党伟业》、《太平轮》(原名《1949》)、《听风者》、《战狼》等,都被媒体和观众以“主旋律”相称。这些作品在题材、视角、电影语言等方面都和以往有很大不同,也更为宽泛。在它们试图建构新主流意识形态的意义上,或 In the 1980s and 1990s, Chinese cinema formed a unique movie form called the “main theme.” A series of film and television works represented by the “great cause of nation-building” in the new century foreshadow the transformation of “main melody” experience. The new works resulting from such as “Founding of Albert CHAN”, “Taiping” (formerly “1949” ), “Listen to the wind”, “war wolf”, etc., are the media and the audience to “main theme ” commensurate with. These works are very different from the past in terms of themes, perspectives, movie languages ​​and more. In the sense that they are trying to construct a new mainstream ideology, or