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在中国文化史中,一直都有着一种“圣山”情节。文人墨客写下绚烂华美之辞藻,丹青圣手绘出云蒸霞蔚之图画,这些都形成了中国人独特的山水观。与西方的风景画不同,中国山水画画的是一种胸襟,一种情怀,一种完全人格化的象征,是中国文人的哲学观衍生出的一种艺术表达方式,并至南北宗盛。于是,地域气质夹杂着文化情感的因素,主导着中国山水画的发展。历史上每一次的重要转折与里程碑式的建树,都是基于对山川物象的发掘与文化内涵的重构。
In the history of Chinese culture, there has always been a “Holy Mountain ” plot. Literati writers gorgeous rhetoric, Danqing St. hand painted cloud Wei Xia Wei’s paintings, which have formed a Chinese unique landscape view. Different from western landscape paintings, Chinese landscape painting is a kind of mind, a kind of feeling, a symbol of complete personalization. It is an artistic expression derived from the Chinese literati’s philosophy, and goes to the north and south of the Great Wall. As a result, the regional temperament mixed with cultural and emotional factors, leading the development of Chinese landscape painting. Every major turning point in history and the landmark achievements are based on the excavation of the mountains and the reconstruction of cultural connotation.