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“诗言志”这一古老命题见于《尚书·尧典》,可谓是中国文艺理论之滥殇。这里的“志”还只是个体情感自发的表现,即所谓“诗者,志之所之也,在心为志,发言为诗。”(《毛诗序》)可以说,“诗言志”只是提出了文学发生论,而文学的应用论则是由孔子最先明确论述的。《论语·阳货》:“子曰:小子何莫学夫诗?诗可以兴,可以观,可以群,可以怨。迩之事父,远之事君,多识于鸟兽草木之名。”这就是孔子关于文学审美理论的“兴观群怨”说。
The ancient proposition of “poetic statement” found in “Shang Yao Dian Dian” can be described as the origin of Chinese literary theory. The “Chi” here is only the spontaneous manifestation of individual emotions, that is, the so-called “poet, the place of the mind, the mind, the poem.” “Mao’s Preface” Poetry and writing “just put forward the theory of literature, and the theory of the application of literature was the first to be explicitly discussed by Confucius. ”The Analects of Confucius Yang“: ”The Kid said: Boy Ho Mo husband poetry? Poems can Xing, you can view, you can group, you can complain. This is what Confucius said about “Xing Guan Gang Kuai” about literary aesthetic theory.