我们身处一个图像化的时代。当代建筑中依稀可辨的向着物质性的回归,无疑是对形式滥觞与图像化时代的反思。然而,对抽象的推崇才是建筑历史的主流,将对物质的认可纳入思想殿堂的上层并非易事。建构理论通过将建筑的技术活动置于美学的中心位,建筑现象学通过知觉体验引发了理论界对“事物性”的关注。“建构”与“现象”彼此独立,又相互影响,两股源流同时让我们把目光投向建筑的物质本体。物质在建构下获得明晰的表达,并以一种现象学的方式隐隐呈现,从而获得了物质相对自足的根本价值。 We are in an image era. The vaguely identifiable return to materiality in contemporary architecture is undoubtedly a reflection of the formal era and the imaging era. However, respected abstract is the mainstream of architectural history, the recognition of material inclusion in the upper reaches of the ideological temple is not easy. Constructivism, by placing architectural activities at the center of aesthetics, has led phenomenology to focus on “matter ” through a perceptual experience. “Construction ” and “Phenomenon ” are independent of each other and affect each other. The two origins of the same time let us turn our attention to the physical substance of the building. Material is clearly expressed under construction and is presented in a phenomenological way, thereby obtaining the fundamental value of material self-sufficiency.