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湖北《书法报》二○○○年一月三十一日载文《毛泽东<长征>手迹失踪——卫士长李银桥苦寻三十八年》一文中称,“李银桥夫妇最近在媒体上得知,去年竞有人伪造毛泽东《长征诗》手迹,(见图B),且明目张胆、堂而皇之进入了国家最高艺术殿堂——中国美术馆,心里又气愤又着急。他们认为,正是因这一手迹的失踪,才给伪造者以可乘之机。该报署名此文转载于二○○○年一月十四日《南方周末》第十版,但原载文章并无此段文字。对这段”编造“的文字十分气愤。追随毛泽东十五年的卫士长李银桥同志,接受了中国人民解放军《军事展望》杂志社副主编李华锋的采访,并交付了一份严正声明以委托发表,以正视听。本刊一并将此发表,以飨读者。
The ”Calligraphy of Hubei“ published in January 31, 2000 in the ”Calligraphy of Mao Zedong Missing - The Guardian of Li Yinqiao Mourns for Thirty-eight Years“ said in his article, ”Recently, Last year, the contestants faked Mao Zedong’s “Long March Poem” handwriting (see Figure B) and blatantly entered into the National Art Center of China, the National Art Museum of China, angry and anxious, thinking that it was precisely because of this handwriting This article was signed and is reproduced in the tenth edition of the Southern Weekend on January 14, 2000, but this passage does not appear in the original article. Paragraph “compilation.” Comrade Li Yinqiao, who followed Mao Zedong’s fifteen-year guerrilla leader, accepted an interview with Li Huafeng, associate editor of the “Military Prospect” magazine of the Chinese People’s Liberation Army, and delivered a solemn statement to entrust the publication, Listen to the positive. This publication will be published together to readers.