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从作品整体结构入手,探讨《万》中未被注意到的东西,并以此透视大江健三郎的良苦用心,为本文的着眼点和出发点。本文认为,《万》通过主人公们对“历史”的“复数的解释和记忆”,体现出了大江健三郎思考讲述历史的方法、思索对历史的别种解释的可能性的问题意识,并通过对根所家的“暴力”血脉都与“亚洲”有关这样一个设定,揭示了日本近代史的“暴力”内涵,从而唤起对“历史”的追究,达成对日本近现代史的文化批评。
Beginning with the overall structure of the work, this paper explores the unnoticeable aspects of “Wan” and analyzes the good intentions of Kenzaburo Oe. It is the focus and starting point of this article. This paper argues that through the “plural interpretation and memory” of “history” by the protagonists, “Million” shows Kenzaburo Oe’s method of thinking about history and thinking about the possibility of other kinds of explanation of history, Roots’ “blood” of violence and “Asia” related to such a setting, revealing the modern Japanese history of “violence” connotation, thereby arousing the investigation of “history” and reaching a cultural critique of Japan’s modern history.