学画伊始,我就十分敬仰李延声先生。早在20世纪70年代,他创作的《煤海盛开大庆花》、《千秋功罪,我们评说》等国画作品,就产生了全国性影响,留给我非常深刻的印象。延声先生的这些作品把大幅度的姿势动态引入画面,造成强烈的动感和视觉冲击力,充分地展现了那个年代所特有的澎湃激情和昂扬气质。 Learning to draw the beginning, I very much admire Mr. Li Yan Sheng. As early as the 1970s, he created a nationwide influence on the painting works of his paintings such as the “Dahai Flower in the Grand Opening of the Coal Sea,” the “Qigong Gong, and Our Comment,” and left a very deep impression on me. These works of Mr. Yan Sheng introduced large-scale posture dynamics into the picture, resulting in strong dynamic and visual impact, fully demonstrating the passion and high-spirited qualities unique to that era.