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在近20年笔墨艺术实践和中国书画鉴定两个艺术领域的学习与研究工作中,常常会遇到学生、学者和同仁,因对中国书画的构图、取势、章法以及笔墨精神等掌握、理解得不够,而在中国书画创作和艺术品鉴定实践中感到困惑和迷茫。这是一个带有普遍性的问题,甚至社会上一些已小有名气的画家,亦或从事史论研究和书画鉴定较长时间的人也都存在这一懵懂,究其根本原因在于割裂了对笔墨艺术实践与中国书画鉴定
In the past 20 years, the art of painting and calligraphy and Chinese calligraphy and painting appraisal two art areas of study and research work, often encounter students, scholars and colleagues, due to the composition of Chinese calligraphy and painting, take advantage of, chapter law and the spirit of ink and brush and grasp, understand Not enough, but confused and confused in the practice of Chinese calligraphy and painting and art identification. This is a question of universality. Even some well-known painters in the society, or those who have been engaged in the historical research and calligraphy and painting for a longer period of time, also have this ignorance. The fundamental reason lies in the separation of Pen and Ink Art Practice and Appraisal of Chinese Calligraphy and Painting