一、吴昌硕“寓方于圆”的画中之石以吴昌硕成熟期的花乌画作品来看:造型上若是近景之石,多以不规则石形出现,鲜少有方正之形,远景之石则通常以“立柱、假山之石”等造型出现。大多呈现竖长高耸状,石头顶部缓和圆润,与篆字转折有相似之处,偶有尖顶亦是相对平顺;部分低矮的石头常出现在画面下部且以不规则造型为主。从笔墨来讲,其画法以淡墨晕染为主,注重与周围植物的融合,墨色温润、弱化顽石的刚硬之感 First, Wuchang Shuo “in the round ” painting stone to Wu Changshuo mature flower Hua Wu paintings point of view: If the shape of the stone near the King, mostly with irregular stone appearance, rarely have the shape of the Founder, Prospect of the stone is usually “column, rockery ” and other shapes appear. Most of them are tall and vertical, the top of the stone is mellow and mellow, and there are similarities with the turning of seal characters. The occasional spire is also relatively smooth. Some of the low stones often appear in the lower part of the picture and are mainly irregularly shaped. From the pen and ink, the painting is mainly based on light ink, focusing on the integration with the surrounding plants, ink warm, weaken the rigid sense of hard rock