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了解当下中国诗歌的人就会知道,口语诗几乎占据了诗歌生态的大半个版图,且仍在滞涨中,正如女诗人安琪所说:“新世纪以来中国诗歌在口语写作上得到了充分的发展,恍然间已压倒书面语成为主流”[1]。而近年来几乎每一次引发广大网民参与的诗歌事件,都渗透着关于诗歌“口语”的论争。冷静来看,口语诗取得了巨大的成就,革新了中国当代诗歌的面貌,然而也日益暴露出许多问题,不及时反思与妥善解决,将会给新诗发展带来某些消极影响。本文拟从口语诗的谱
People who know contemporary Chinese poetry will know that spoken Chinese poetry takes up almost half of the territory of the poetic ecology and is still stagnant. Just as the female poet An Qi said: “Chinese poetry has been acquired in the new century Adequate development, has suddenly overwhelmed written language into the mainstream ”[1]. In recent years, the poetic events that have caused the majority of netizens to participate in almost every time permeate the controversy over poetry and colloquialism. Calmly speaking, colloquial poetry has made tremendous achievements and renovated the appearance of contemporary Chinese poetry. However, it has also exposed many problems day by day. If it is not properly reflected in time and properly resolved, it will have some negative impacts on the development of new poetry. This article will be from the spectrum of spoken poetry