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真正给李继开带来声誉的就是那个为人所熟知的蘑菇、苔藓、垃圾及那个时常作冥想状又长不大的男孩,这既是李继开的视觉叙事语符,又昭示着李继开个人强烈的生存印记。那种既哀物,又哀情,其视觉图景在实有和虚幻间营构出的是一种意蕴朦胧,情境飘忽,时常令人遐想,但的确又时常令人费解的李继开主观虚构的精神世界。在这个精神世界中,阅读者能够感受到一种抚慰——受现实压迫的心灵及放空敏感紧绷的神经,去获得一种片刻的欢愉与宁静。
The real honor for Li Jikai is the well-known mushrooms, moss, rubbish and the boy who often grows up in meditation. This is not only the visual narrative symbol of Li Jikai but also the personal imprint of Li Jikai’s personal existence. The kind of sad thing, but also grief, the visual picture in the real and illusory structure is constructed of a connotation of misty, erratic, often reverie, but indeed often confusing Li Jikai subjective fictional spirit world. In this spiritual world, the reader can feel a kind of comfort - by the reality of the oppressive mind and vent the nervous tension to obtain a moment of joy and quiet.