同为二十世纪三十年代登上文坛的女作家,罗洪并没有凭借女作家的身份和创作赢得名声大噪的优势,她却趋于被遗忘的境地。然而,罗洪作品中对于婆媳关系的探究既丰富了三十年代的女性文学世界,同时也彰显了婆媳关系在时代流变中的社会特色和文化取向,本文将从罗洪描摹事态人情的众多作品中抽出其关于婆媳关系主题的创作,剖析其带有折中色彩的创作的文学史意义和社会价值。 As a woman writer who boarded the literary world in the 1930s, Luo Hong did not win the reputation of being a famous writer because of her identity and creation, but she tends to be forgotten. However, Luo Hong’s work on the relationship between mother and daughter not only enrich the female literature in the thirties, but also demonstrate the social characteristics and cultural orientation of the relationship between mother and daughter in the changing of the times. In her works, she draws out her works on the theme of the relationship between mother-in-law and daughter-in-law and analyzes its literary history and social values ​​with eclectic color.