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本文宗旨是对印象派作曲家德彪西钢琴小品风格的分析和阐述。主体部分从分析钢琴小品风格特征,同时以《前奏曲》为例对其曲式、表情记号、和声色彩、全音阶运用、踏板运用、华彩乐段进行分析以及与同时期印象派作曲家拉威尔在风格上比较等内容入手,了解德彪西钢琴小品的风格特征,更好的理解印象主义钢琴音乐的内涵。结论从印象主义钢琴音乐风格的形成是音乐发展史上的必然阶段,是连接浪漫派钢琴音乐和现代派钢琴音乐的纽带,成为二十世纪钢琴音乐的重要里程碑。
The purpose of this paper is to analyze and elaborate the style of Pianist Debussy Piano Pieces. The main part analyzes the style features of the piano piece, at the same time, with the prelude as an example, it analyzes the forms of music, emoji, harmonic color, diatonic use, pedal application and cadenza, Weill in terms of style and other content to start to understand the style characteristics of Debussy Piano Pieces to better understand the implication of Impressionist piano music. Conclusion The formation of impressionist style of piano music is an inevitable stage in the history of music development. It is a link between romantic piano music and modernist piano music and an important milestone of piano music in the 20th century.