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历史的车轮驰入本世纪以来,世界戏剧呈现出前所未有的四分五裂的景象:“现实主义受到象征主义、表现主义、超现实主义、结构主义、存在主义和荒诞派的轮番袭击,在不到一百年的时间里,时而把舞台猛烈地推向这方,时而又拖向另一方。”这种“轮番袭击”,促使戏剧艺术本体发生了剧烈的“裂变”,其所释放出的大量能量,无疑开创和造就了现代戏剧独特的审美品格。这就形成了当代戏剧的新的传统和文化艺术背景,为当代戏剧的走向提供了某些指向性的路标。正是在这种“轮番袭击”
Since the wheels of history drove into this century, world drama has witnessed an unprecedented split: “Realism is subject to the turns of symbolism, expressionism, surrealism, structuralism, existentialism and the absurd revolution. In less than a hundred Years of time, sometimes the stage violently pushed to this side, and sometimes dragged to the other side. ”This“ turn attack ”, prompting the theatrical art had a violent“ fission ”, the release of a large amount of energy, It undoubtedly created and created the unique aesthetic character of modern drama. This formed a new tradition of contemporary drama and cultural and artistic background for the direction of contemporary drama provides some directional road signs. It is in this “turn attack”