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在戏剧的本质问题上,伯恩哈德虽不否认戏剧是现实生活的反映,但却认为戏剧写作和戏剧表演均不能不加扭曲地反映客观存在的真相,并因而成为一种“虚假”和“欺骗”。尽管如此伯恩哈德在其戏剧创作中仍以“真相的传达”为追求目标,这一点在其剧作所采用的悲喜剧体裁及其对现实社会、生活于其中的人以及“自我”内在的真实本质不加粉饰、毫无顾忌的描绘中均有所体现。在伯恩哈德看来戏剧的功能应在于通过对真相(尤其是现实社会和人的可怕真相)的揭示激怒、扰乱社会并与观众对抗——这不仅能促使社会反省自身所存在的问题,而且也能加深观众对现实社会和人的真实状况的认识并对其进行批判性的思考。
On the nature of the drama, Bernhard did not deny that drama was a reflection of real life, but thought that both the dramatic writing and theatrical performance can not unmistakably reflect the truth of the objective reality and thus become a “false ”And“ cheat ”. In spite of this, Bernhardt pursues the goal of “the communication of truth” in his dramatic productions, in the genre of tragedy and comedy he uses in his play and in the way of his adaptation to the real world, the people living in them and the “ ”The inner real nature is not whitewash, no scruples are reflected in the description. The function of Bernhard’s drama should be to provoke, disrupt society and confront the audience by revealing the truth, especially the real society and the horrible truths of man - that not only prompts society to reflect on its own problems, But also deepen the audience’s understanding of the real situation of the real society and people and critically think about it.