晚明进步文艺思潮泛滥,文人士大夫有感于仕途阻塞,将个人的奇情投注于传奇戏曲新型文体,反拨前中期奇正中和的审美规范,借用误会巧合、道具信物等叙事模式构筑尚“奇”审美观,促进了戏曲体制的变革和剧作家对戏曲艺术本质的认识,繁荣了晚明演剧市场。 In the late Ming Dynasty, the literary and art trends of thought were flooded. Literati and physicians felt obstructed by career paths. They cast their personal wonders on new styles of legendary operas, reversed the aesthetic norms of the neutralization of the middle and early periods, borrowed misunderstandings and props, The aesthetic view of “Qi” promoted the change of the opera system and the playwright’s understanding of the essence of opera art and prospered the drama market in the late Ming Dynasty.