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一个好的书法家或一件好的作品,我们发现总有一个书写扎根的地方,这个根就是书法传统中的经典。每一种经典,就是一个书写精神的源头,书写技术的源头。这个根一旦扎得深,开掘出的空间就会很大。一些书法家的书写为何总是形成不了自己的风格,没有自己的书写气质,这和相互浸染在一种书写的风气里面,还没找到自己的书写边界,没找到可供自己长久用力的地方有关。很多人在写作品时,书写的目标简化为书法展览。很多人在创作里跟着一阵又一阵的时风走,他们很少检索关于自己的书写记忆,不断地变换自己的书写的领域,结果不是把字写俗了,就是把字写死了。
A good calligrapher or a good work, we find there is always a rooted place for writing, the root is the classic calligraphy tradition. Each classics is the source of a writing spirit, the source of writing technology. Once this root tie deep, digging out of space will be great. Why do some calligrapher’s writing can not always form their own style, there is no own writing temperament, which and mutual immersion in a written style inside, have not found their own writing boundaries, did not find their own long-lasting force about the place . When writing, many writers aim to simplify their calligraphy exhibition. A lot of people follow the trend of time after time in their creations. They seldom retrieve the fields about their own writing memory and constantly transform their own writing. The result is not the writing of the word but the writing of the word.