漏彩通常是指瓷器作品已完成釉下色地(如钴蓝釉或乌金釉),或釉下彩(如青花淡描主体纹饰轮廓线)的烧制,但未添绘釉上彩绘即投放市场的现象。由于流传于世的漏彩器并不多见,即使有所见也往往被视为单色釉或青花品种,故历来有关漏彩的文字也较少。有见及此,本文拟在前辈学者研究的基础上,结合一些较为典型的出土器或传世品,谈谈自己初步的心得。需要说明的是,由于相关例证大多只是根据有限的平面图片资料进行直接的观察,而非立体的感觉,错漏之处故亦在所 Lost color usually refers to the porcelain works have been completed underglause (such as cobalt blue glaze or black gold glaze), or underglaze (such as blue and white light outline of the main decoration contours) firing, but did not add painted on the glaze painted Market phenomenon. Because rare earth-leakage markers are rare, even if they are often seen as monochromatic glaze or blue-white varieties, the texts that have always been related to missing color are also few. In view of this, this article is based on the study of the predecessors, combined with some of the more typical excavators or handed down items to talk about their initial experience. It should be noted that, as most of the relevant illustrations are mostly based on limited direct observation of planar picture data, rather than three-dimensional feeling,