目前有一种观点在国内外流行,认为朱光潜先生在新中国成立以后,特别是晚年转向马克思主义立场、观点、方法研究美学,是被迫于新中国的意识形态外部环境,也是一种美学研究的倒退。这是一种不符合事实的,极其有害的观点。旅美作家、学者李劼在他的《风雨百年——二十世纪中国政治演变与文化沧桑》中就是这样的观点,而且流传网上,得到了一些不明真相的网民的点赞。为了实事求是地评价朱光潜先生在现当代美学史上的地位,精准地继承和发扬朱光潜先生的美学研 At present, there is a popular view both at home and abroad that Zhu Guangqian turned to Marxism after the founding of New China, especially in his later years. His viewpoints and methods of studying aesthetics are forced by the external environment of the new China’s ideology and also as an aesthetic study fall back. This is an untrue and extremely harmful viewpoint. This is the view of the writer and scholar Li Xun in his book The Stormy Century - Political Evolution and Cultural Vicissitudes of 20th Century China, and it has been circulated on the Internet and won some praise from netizens who have no idea of ​​the truth. In order to evaluate Zhu Guangqian’s position in the history of modern and contemporary aesthetics in a down-to-earth manner, accurately inherit and carry forward Zhu Guangqian’s aesthetic studies