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“小戏”和“大戏”两个概念,在以往对明清戏曲的讨论中不时用到,它们常指不同的戏曲现象。本文通过分析明清以来曲家和学者关于这两个概念的论述,认为“小戏”一词在关于明清传奇的评论中指传奇中某些净、丑、杂等次要角色出场的场次,或指在特定场合表演生动的配角;在清代地方戏的语境中,除了指小剧种,通常指一类表现市井生活、且风格谐谑的短剧。“大戏”一词则除了指整本戏和连台本戏等篇幅长的剧作以及大剧种外,还指一类吉祥戏。
The two concepts of “little opera ” and “big play ” are used from time to time in the discussion of the drama of Ming and Qing Dynasties. They often refer to different kinds of opera phenomenon. By analyzing the discussions of these two concepts by the Qu Jia and scholars since the Ming and Qing dynasties, this paper argues that the term “little opera” appears in the comments about the Ming and Qing dynasties , Or live performances in specific occasions supporting role; in the context of local drama in the Qing Dynasty, in addition to small drama, usually refers to a performance of market life style and style of banter. The term “drama” refers not only to the entire drama and even the lengthy dramas such as the drama of the stage, but also refers to a type of auspicious drama.