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近年,原生态艺术已经成为各个主流媒体关照的对象。始于2004年3月的CCTV15-音乐频道《民歌·中国》栏目创设的《原生原梦》板块和之后随着第十二届、第十三届青歌赛成功亮相的原生态唱法单元,电视荧屏上的原生态艺术已经引发了一场席卷全国的文化飓风。然而电视原生态节目在文化走廊最古老和最前沿的两极间行走时,一直伴随着两个质疑和责怪的声音:其一是电视引入原生态是电视艺术向后看;其二是电视的参与将导致原生态的终结。理论界对这两种声音
In recent years, the original ecological art has become the object of various mainstream media care. Beginning in March 2004 CCTV15 - music channel “Folk Song China” section created by the “original original dream” plate and later with the Twelfth, the 13th Youth Song Contest successfully debuted original eco-singing unit, television The original eco-screen art has triggered a hurricane of cultures across the country. However, when the original television program was walking between the oldest and foremost poles of the cultural corridor, it was accompanied by two voices of questioning and blaming: firstly, television was introduced into the original ecology as backwardness in television art; and second, television participation Will lead to the end of the original ecology. Theory of these two voices