“艺术作品在其最深层的思想上是对现代人的寄语。”瑞士心理学家、美学家卡尔·古斯塔夫·荣格的这一著名论断特别适用于中国的诗歌艺术。中国从远古时代起就将诗歌视为“朋友之间交流的工具”。就像俄罗斯东方学家列·艾德林曾经写道:“诗歌没有将某些有意思的、浅显易懂的信息变成密码式的交流,是因为它是供人欣赏的。希望被束之高阁而不被人们理会的‘诗歌’是不存在的。因为诗人宣扬的思想是给所有人的……”1著名乌克兰女诗人柳德米拉·斯吉尔达的作品就 “The work of art is, at its deepest level, a message to the modern.” The famous assertion of the Swiss psychologist and esthetician Carl Gustav Jungle is particularly applicable to the art of Chinese poetry. Since ancient times, China has regarded poetry as a “tool of communication among friends.” Just as the Russian Orientalist Liederlin wrote: “Poetry does not translate some interesting, plainly understandable information into cryptographically because it is for the enjoyment of others. The ”poetry“ that is not taken care of by people does not exist because the poet preaches the idea to all ... ”1 The work of the famous Ukrainian poet Lyudmila Skirda