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山水画的景式是山水塑造的基本形态,也是山水画欣赏的基本内容,这是山水外在美的根本元素。在中国传统山水画的发展过程中,景式的美感并不是以外在的自然特性来决定的,而是以更多理想化的笔墨方式展现的。景式的创造只是为了可居可游的情景感受,即符合主观的理想化景式。笔墨写意是为了传达形式上的艺术体验,即借助于有限的形态表达无限的笔墨变化。两者合一,形成完善的山水画传统,这个传统就是后来左右山水画发展的文人画现象。从绘画描绘的角度来讲,对山水中具有规律性的特征进行总结,并在绘画的语言中贴近真实山水形态的描绘,最后呈现的就是艺术理想的表达,这是由自然转向艺术的基本绘画原理。黑格尔针对这类现象强调:“艺术本是精神的一种产品,这种作品要
Landscape painting landscape is the basic form of landscape modeling, but also the basic content of landscape painting appreciation, which is the fundamental element of landscape beauty. In the process of the development of Chinese traditional landscape painting, the aesthetics of the landscape style is not decided by the external nature, but by more idealized brushwork. The creation of the landscape is only for the feel of the context of travel, that is, in line with the subjective idealized landscape. Freehand brushwork is to convey the formal artistic experience, that is, by means of a limited form, to express infinite variations of brushwork. Combination of the two, the formation of a perfect tradition of landscape painting, this tradition is about the development of literati landscape painting phenomenon. From the perspective of painting, this paper summarizes the regular features in the landscape and draws the description of the true landscape in the language of painting. Finally, the expression of artistic ideal is presented. This is the basic painting from nature to art principle. Hegel emphasizes to this kind of phenomenon: ”Art is the product of the spirit, this kind of work wants