京剧《八大锤》的陆文龙是武生和武小生的应工戏,但是,这个戏并非所有的武生和武小生都能拿得起来,因为它的难度较大。扮演这个角色需要以精湛的武功技巧和扎实而优美的工架来表现他超群的武艺、惊人的智勇,同时还要刻划出年方十六岁的陆文龙,既有一般孩童天真活泼的性格,又有金国殿下的风度以及威武、豪放的少年英雄气概。一些前辈老演员,为了塑造陆文龙这个特殊的人物形象,精心为他设计了特殊的工架、身型、枪花、武打和服装道具。舞台上的陆文龙头戴太子盔,上插双翎,边坠双穗,后挂狐尾,箭衣、大带、厚底、双枪,这身繁琐的服装和道具,无疑给演员增加了表演的难度,然而从表演的艺术价值来看,它却起到了加强舞蹈效果,突出入物的作用。天津京剧团马少良演出的《八大锤》,经过不断地加工锤炼,在掌握技巧、刻划人物上,获得了可喜的成功。他演的《八大锤》不仅有所继承,而且有所革新。他在第一场的“引子”和“定场诗”里略微地揉进 Lu Wen-long, the Peking Opera “Eight Hammer,” is a supposed play by Wu and Wu, but not all of them can take it because of its difficulty. To play this role requires superb martial arts skills and a solid and graceful workmanship to show his superior martial arts, amazing wisdom and courage, but also delineation of the year-old Lu Wenlong, both ordinary children’s innocent and lively character, Another His Royal Highness has the grace and mighty, heroic juvenile heroism. Some older veterans, in order to create Lu Wenlong this special character, carefully designed for his special frame, body type, guns, martial arts and costume props. On stage, Lu Wen-long wearing Prince Helm, the plug on the two Ling, double-spike, after hanging foxtail, arrow clothing, belt, thick end, two guns, tedious costumes and props, no doubt to the performers increased performance However, from the artistic value of the performance, it has played a role in strengthening the dance effect and highlighting the object. Tianjin Peking Opera Troupe Ma Shaoliang performed the “eight hammer”, after continuous processing and tempering, in mastering skills, characterization, has been gratifying success. He played the “Eight Hammers” not only inherited, but also some innovation. He made a slight rubbing in the first primer and poem