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当下的电影是“大片”的时代,《英雄》、《十面埋伏》、《无极》、《满城尽带黄金甲》都给我们营造了视听的盛宴,但是,这些“大片”也都遭遇了观众的批评,要么故事结构单调,要么思想内涵单白,于是很多评论者指出,技术在中国这片土地上是不是就开不出绚丽的电影花朵?其实,技术能否为艺术插上美丽而想象的翅膀还要看技术创作与艺术内容之间的配合,也就是通常所说的“质文相资”,何平的《天地英雄》就是一部在大场面与深内涵之间结合的比较完美的影片。该文既从电影《天地英雄》的表层故事入手步步深入其坚实的内核,从其“突围”的故事情节背后,抽取其“回家”的情感线索和“民族主义”的潜在情怀。这种场面宏大而又追求深度的电影创作值得研究与借鉴。
The current film is a “big piece” of the era, “Heroes”, “Ambush”, “Promise”, “Curse of the Golden Flower” have given us to create a feast, but these “blockbuster” also suffered The audience’s criticism, or the monotonous structure of the story, or the idea of a single white, so many commenters pointed out that technology in this land of China is not open brilliant film flowers? In fact, technology can plug in the beauty of art The wings of imagination also depend on the cooperation between technical creation and artistic content, which is commonly referred to as “textual match”, He Ping’s “Heroes of Heaven and Earth” is a comparison between a large scene and a deep connotation Perfect movie. Starting from the surface stories of the movie “Heroes of Heaven and Earth”, this essay goes deep into its solid core and draws back the emotional clues of “returning home” and the potential feelings of “nationalism” from behind its “breakthrough” storyline. This scene is ambitious and the depth of the pursuit of the film worth to study and learn from.