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2011年的话剧创作与舞台演出,与正在进行的艺术院团改革和话剧市场的开拓同步进行,出现了一些值得关注的新的创作现象,也存在着一些值得注意的问题。一、在历史与现实中思考2011年,适逢建党90周年和辛亥革命100周年。当我们回顾历史,立足现实,自然有很多话要说。于是,舞台上出现了《寻找李大钊》(河北省话剧院)、《谁主沉浮》(浙江话剧团有限公司)、《4.11上海夜》(上海话剧艺术中心)、《共和国掌柜》(上海话剧艺术
The drama creation and the stage performance in 2011 are in step with the ongoing reform of the art troupe and the opening up of the drama market. There are some new creations worthy of attention. There are also some notable problems. First, think in history and reality 2011, coincides with the 90th anniversary of the founding of CPC and the 100th anniversary of the Revolution of 1911. When we review history and base ourselves on reality, we naturally have a lot to say. As a result, the stage appeared “looking for Li Dazhao” (Hebei Provincial Theater), “who is the main ups and downs” (Zhejiang Repertory Theater Co., Ltd.), “4.11 Shanghai Night” (Shanghai Theater Arts Center), “Republic treasurer”