读《人民日报》记者孟晓云的《大户心态篇——温州风情画之三》,给我的印象是:鞭辟入里,引入思索,颇有回味。这篇“风情画”的最大特点,是善于从细微之处着眼,准确地捕捉人们深层的心态,显示出作者深厚的观察能力。很多日常为人所忽视的现象,作者却能透过其表面揭示出它的实质。比如,从一些先富起来的农民争着与县委书记合影,从农民把乡政府奖给的匾挂在进门 Reading “People’s Daily” reporter Meng Xiaoyun’s “big mentality chapter - Wenzhou style painting of the three,” gave me the impression is: whip into the inside, the introduction of thinking, quite aftertaste. This “style painting” the most important feature is good at from the subtleties, accurately capture people’s deep state of mind, showing the author’s profound observation ability. Many people ignore the daily phenomenon, but the author reveals through its surface its essence. For example, some peasants who first became wealthy competed for pictures with county party secretaries and hung plaque from peasants to the township government