一、电影现实主义——客观在场的对象本文在本体论的层面上讨论数字技术对电影现实主义的冲击。尽管现实主义在巴赞和克拉考尔的理论中有所差异,但皆以照相术作为建构其理论体系的出发点。两者的现实主义都是基于电影媒介的记录特性所具备的客观公正性,“在摄影中,我们享有了不让人介入的特权”。另外,客观对象的曾经在场也是不 One, movie realism - the object of the objective presence This article discusses the impact of digital technology on the film realism at the ontological level. Although realism is different in the theories of Bazin and KraCaul, both use photography as the starting point for constructing its theoretical system. Both realism is based on the objective and impartial nature of the recording characteristics of the film media, and “in photography we enjoy an unobtrusive privilege.” In addition, the objective object was once present is not