有人在对北京地区的60家当代艺术画廊和非营利艺术空间调查后发现,大部分画廊在关注出生于80年代的艺术家,其中有70%的画廊或空间已经开始签约或代理他们的作品。但是也有一部分画廊对青年艺术家仅持观望态度,认为现在介入青年艺术家艺术市场为时过早,因为他们尚未发展出成熟的艺术风格,收藏群体不明确,需要大量的前期投入,风险较大;也有人认为青年艺术家虽然有很好的技法,但是缺乏生活体验和深厚的艺术内涵,在这方面的突出者太少。事实上,一些“青年艺术家”比“老哥萨克”们还要现实和精明。现实让他们懂事过头了,走向了自己最终反对的另一面,成为“艺术资本主义”与权力文化贫困的“协犯”。一些市场宠儿并不明白,没 A survey of 60 contemporary art galleries in Beijing and non-profit art spaces found that most galleries are focusing on artists born in the 1980s, 70% of which have already signed or proxied their work. However, some galleries hold only a wait-and-see attitude toward young artists. They think it is too early to intervene in the art market for young artists because they have not yet developed a mature art style, and the collection groups are not clear and require a large amount of upfront investment. Although young people think that young artists have good techniques, they lack the experience of living and profound artistic connotations, and there are too few prominent ones in this field. In fact, some “young artists” are more realistic and savvy than the “old Cossacks.” Reality makes them overreact to the other side of their final objection and become the “accomplice” of “artistic capitalism” and impoverished power culture. Some darling do not understand the market, no