宋代咏梅文学在我国文学史、美学史乃至思想史上都有其不可取代的地位。这不仅体现在数量上,更体现在诗词质量上。宋文人对梅花的描写,多与作者自身的经历、心境、社会环境相关联,使梅花成为作者追求的象征。本文就宋代诗词中梅花象征意义创新的历史背景,以及在“清”、“贞”和“生”等三个方面的创新,进行了粗浅的探讨。 In the history of literature, the history of aesthetics and the history of thoughts, the literature of the plum plum in Song Dynasty has its irreplaceable status. This is not only reflected in the number, but also reflected in the quality of poetry. Song literati description of plum, and more with the author’s own experience, state of mind, social environment, so plum blossom as the author of the pursuit of the symbol. This article makes a brief discussion on the historical background of the symbolic significance of plum blossom in the Song Dynasty and its innovations in three aspects: “Qing”, “Zhen” and “Sheng”.