在中国现代美术史上,江苏以傅抱石为代表的“新金陵山水画派”是为很多人所熟悉的。和“新金陵派”同处于一个时期的,南京还有一个“新金陵花鸟派”,知道的人就很少了。李味青、赵良翰、韩少婴、张正吟四位已逝的老画家,就是这个画派的代表。他们长期生活在南京民间,自甘淡泊、埋首学问,贫困的生活造就了他们在艺术上的辉煌。他们在艺术上有着许多共同的理想,都强调笔墨在中国画中的重要性。从艺术流变的风格上看,他们的 In the history of Chinese modern art, the “New Jinling Landscape School”, represented by Fu Baoshi in Jiangsu, is familiar to many people. And “new Jinling school” with a period of time, there is a Nanjing “New Jinling birds and birds”, few people know. Li Weiqing, Zhao Hanhan, Han Shaoyin, Zhang Zhengyin Four dead old painters, is the representative of this school. Their long-term living in Nanjing folk, indifferent, immersed in learning, poor life created their artistic glory. They have many common ideals in art, emphasizing the importance of brush and ink in Chinese painting. From the artistic style of change, they are