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书画收藏古已有之,而民间收藏之风最盛莫过于明末清初,这一时期的收藏又以徽州地区为翘楚。有清一代,随着徽商的崛起,再加上徽商“贾而好儒”的精神,徽州地区涌现出一大批鉴藏家。本文在论述清代鉴藏家的同时,以他们鉴藏所用印记为中心,着重论述鉴藏印在书画鉴定中的意义和价值。
The collection of calligraphy and painting has existed for a long time, but the style of folk collection is the highest in the late Ming and early Qing dynasties. The collection of this period took the leading position in Huizhou area again. There is a generation of Qing Dynasty, with the rise of Huizhou merchants, coupled with the spirit of Huizhou merchants, “Jia and Confucianism,” a large number of collectors emerged in Huizhou area. This article discusses the collectors in the Qing Dynasty at the same time, with their imprints used in the collection as the center, focuses on the reference printed in the identification of paintings in the significance and value.