在中国古代诗学发展史上 ,文体问题一直是倍受关注的理论问题 ,而对诗与其他文体关系的认识 ,则往往反映出诗人和诗学理论家的审美意识及文学观念的嬗变。明末清初的王夫之曾对诗与其他文体作过严格界分。王夫之严格区分诗与其他文体 ,与他批评宋诗“以意为主”是一致的 ,旨在重申“诗道性情”的特殊本质 ,维护抒情诗的纯洁性。王夫之强调诗“陶冶性情 ,别有风旨” ,表现出他的诗学卓识 ;但决然割断诗与其他文体的联系 ,也暴露出船山诗学观念的褊狭、保守和局限性。 In the history of the development of ancient Chinese poetics, stylistic issues have always been the subject of much attention. The understanding of the relationship between poetry and other genres often reflects the aesthetic awareness of poets and poetic theorists and the evolution of literary concepts. Wang Fuzhi of the late Ming and early Qing had severely restricted poetry and other literary styles. Wang Fuzhi’s strict distinction between poetry and other genres is consistent with his criticism of Song poetry as “based on intention”, aiming to reiterate the special essence of “poetic nature” and to maintain the purity of lyric poetry. Wang Fuzhi emphasized the poem “cultivating his temperament and not having style” and showed his poetic awareness. However, he severely cut off the connection between poetry and other styles and also exposed the narrow, conservative and limited limitations of Chuanshan’s poetry.