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在“戏剧危机”的慨叹声中,89年底从湖南传来了“映山红”民间戏剧节的演出盛况;90年春,河北省赞皇县丝弦剧团晋京演出《闹书院》,立刻引起了轰动,“一个县级剧团能演出这么高水平的戏,真不简单!”在第二届中国戏剧节的演出中,有百分之八十的剧目来自各地的县、市级剧团。其中县级剧团就有3个:广东揭阳县潮剧团演出的《丁日昌》;吉林农安县黄龙戏剧团演出的《魂系黄龙府》;河北蔚县晋剧团演出的《天女与战神》。其中的《丁日昌》和《魂系黄龙府》受到观众和评论界的一致好评。这些现象很令人深思,为什么这些“庄户剧团”频频进京献艺,而堂堂的国家级剧院却拿不出好戏来呢?戏剧危机,难道他们就没有困难吗?绝对不是。笔者认为,这其中的差距,实际上是反映了艺术创作的态度、方向、道路的问题,即靠什么去发展戏剧艺术、戏剧艺术应走什么道路的
In the sigh of “drama crisis”, the spectacular performance of “Azalea” folk drama festival came from Hunan at the end of 1989. In the spring of 1990, Hebei Academy of Zanhuang Xianjiang Opera Company performed “ ”It is not easy for a county-level troupe to perform such a high level of drama!“ In the second China Theater Festival, 80% of the troupes come from counties and municipal troupes in various places. Among them, there are three county-level theater troupes: ”Ding Richang“ performed by the Chaozhou Opera Troupe in Guangdong; ”Soul Department Huanglong House“ performed by Huanglong Theater Company of Nong’an County in Jilin Province; ”Goddess and Ares“ performed by the Hebei Yuxian Jin Opera Troupe. One of the ”Ding Richang“ and ”Soul Department Huanglong House“ by the audience and critics alike. These phenomena are very thought-provoking. Why do these ”Zhuang du the troupes" frequently come to Beijing for their performances, while the grand state-level theaters can not get any good shows? Are there any difficulties in the drama crisis? Absolutely not. In my opinion, the difference between them actually reflects the attitude, direction and road of artistic creation, that is, what should we do to develop drama art and drama art?