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吉川英治谢世已整整两年了,然而他遗下的文学空白却至今无人填补。大众文学今天所面临的课题,是否就是去填补这一空白呢?我以为,对吉川遗业的继承,或许反而会产生于他离去后形成的断层之中。探讨这种可能性,对推动下一代大众文学是有益的。在作品包含的修身意义方面,山冈庄八继承和发展了吉川文学的遗产。不过,他与吉川文学的轨迹有不尽相同之处。吉川文学轨迹始于《宫本武藏》中剑道求道者追求的剑禅合一的境界,终于《新·平家物语》中麻鸟的时代超脱精神;而山冈庄八作品的基
Yoshikawa British rule has passed for exactly two years, but the legacy of his literature has so far no one fill. Is it just a matter of filling this gap in today’s popular literature? I think the succession of the Yoshikawa heritage may have arisen, instead, from the fault he formed after his departure. Exploring this possibility is useful for promoting the next generation of popular literature. In terms of self-cultivation significance contained in the works, Yamazato eight inherit and develop the heritage of Yoshikawa literature. However, he and Yoshikawa literature are not the same track. Yoshikawa literary track began in the “Miyamoto Musashi” in pursuit of the swordsman Zen Sect of a realm, and finally “New Pinghu Monogatari” in the time of the Houndstog detached spirit; and Shan Zhuang eight works of the base