十九世纪的法国作家雨果,作为世界级的文学巨匠,他在诗歌、小说、戏剧和文艺理论方面的成就的确值得我们去探究。他的小说至始至终都贯穿了他深邃而鲜明的美学思想。而法国象征主义的代表波德莱尔在雨果的基础上对这种美学观有了进一步的发展,他是将美丑相互转化,试图从丑当中提取美。本文通过对这两种审美观的对比,试图理清两者之间的脉络联系。 Hugo, a French writer of the 19th century, as a world-class master of literature, his achievements in poetry, novels, drama and literary theory deserve our exploration. His novel runs through his profound and distinct aesthetic thoughts from beginning to end. Baudelaire, a representative of the French symbolism, developed this aesthetic concept on the basis of Hugo. He transformed beauty and ugliness into each other and tried to extract beauty from ugliness. Through the comparison of these two kinds of aesthetics, this article attempts to sort out the relationship between the two.