诗是美的。当我们看到电视剧中一些精彩的抒情段落,会不禁叹赏到“富有诗意”。这样的段落,往往不是对生活原貌的如实摹拟,而是充分融入了创作者主观的饱满情感和鲜明爱恶,运用视觉语言和其它表现手段,对生活进行“变形了”(或夸张、或浓缩、或淡化、或渲染)的表现和观照,无疑,在此处“情”是居于中心地位的。然而,感情这个驰骋奔踏、狂放难抑的“尤物”,实际上也自有它的情感逻辑在内,而非含混无迹、乱泻一气的。有些电视剧,到了主人公抒情或为主人公抒情之处,观众常常皮上发痒,它越哭, Poems are beautiful. When we see some wonderful lyric passages in the drama, we can not help but admire “poetic”. Such passage is often not a true imitation of the original appearance of life, but fully incorporates the artist’s subjective full emotion and vivid love and evil, using visual language and other means of expression to “transform” (or exaggerate or condense , Or desalination, or rendering) of the performance and observation, no doubt, where “love” is the center. However, the feeling of galloping gallop, wild and embarrassing “stunner”, in fact it also has its own emotional logic, rather than vague, chaotic and disorganized. Some TV shows, to the protagonist of the lyrical or heroic lyrical place, the audience often itchy skin, the more it cried,