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厄普代克在其“《红字》三部曲”中对霍桑《红字》的戏仿的解读,是《红字》的续作。本文作者从厄普代克“《红字》三部曲”中叙事视角转变的解读及此种转变是为了迎合变化了的意识形态的视角去探讨续作与原作之间的关系。
Updike’s imitation of Hawthorne’s The Scarlet Letter in his The Scarlet Letter trilogy is the sequel to the Scarlet Letter. The author’s translation from the angle of narrative perspective in Updike’s The Scarlet Letter Trilogy and this change are to explore the relationship between the sequel and the original in order to meet the changing ideology.