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苏珊·桑塔格在其后期两部小说《火山情人》(1992)和《在美国》(1999)中采用了“时空穿梭”的创作手法进行历史题材的小说创作。小说重现历史事件或刻画历史人物并非桑塔格的目的,她不过让其小说人物在时间中旅行,以“历史”为幌子玩了一个游戏,而真正关涉的对象则是20世纪后半叶人类的自我探索。这种时间层面上的旅行隐喻对应着“自我审视”的生存态度。
Susan Sontag used historical techniques in his late two novels Volcanic Lover (1992) and In the United States (1999) to use the creative technique of Space Shuttle. It is not the purpose of Sontag to reproduce historical events or characterize historical figures. Instead, she lets her novels travel through time and plays a game under the guise of history. The real concern is the 20th century Half-leaf human self-exploration. This metaphor of travel at the time corresponds to the survival attitude of “self-examination ”.