笔者曾就两岸歌仔戏演员表演的差异与互补问题发表了浅见,然意犹未尽,现就两岸歌仔戏表演差异的形成及原因做进一步探讨,以求教于同行。1949年后,海峡两岸政治分隔,不同的生存环境造成了两岸歌仔戏演员表演风格的差异。大陆歌仔戏在表演上发生较大的变化,始于20世纪50年代的戏曲改革。“戏改”提出改人、改制、改戏。改人即改掉一些演员身上存在的嫖、赌、毒恶习,这属于演员个人道德品质问题;改制即改班主制为共和制,就是改 The author once made a humble opinion on the differences and complementarities between the performance of the actors on both sides of the Taiwan Strait. However, I still have not yet done enough to discuss the formation and reasons for the differences in the performance of Taiwanese opera on both sides of the Taiwan Strait. After 1949, political separations across the Taiwan Strait, different living conditions caused the performances of Taiwanese opera actors on both sides of the Strait to differ in performance style. The Taiwanese opera of Taiwanese opera has undergone major changes in performance since the drama reform began in the 1950s. “Drama change ” proposed to change, restructuring, change the game. To change someone is to eliminate some prostitutes who exist prostitutes, gambling, drug abuse, which belongs to the actor’s personal moral issues; the system is to change the main system of republicans, that is, change