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《特里斯坦与伊索尔德》是瓦格纳第一部被称为乐剧的音乐戏剧作品,而且已经形成了具有瓦格纳特有的,不同于其他歌剧的音乐叙述风格。瓦格纳的这部音乐戏剧以一个贴近大众的爱情故事为主线,表现一种被所谓社会文明所压制的人类本性。浪漫主义音乐风格强调自我的主观情感,尤其对于爱情、死亡这种强烈的个性化情感的表述。“情死”在瓦格纳的作品中即不是简单地为了爱而殉情,也不是将爱情作为一种感情的消逝,而是一种既爱又不能爱的矛盾。文章将通过对作品的音乐分析,阐释瓦格纳将音乐作为叙述话语的音乐风格。
Tristan and Isolde are the first Wagner musical theater productions known as Musicals and have formed a musical narrative that is unique to Wagner and differs from other operas. Wagner’s musical drama is based on a love story that is close to the public and represents a human nature suppressed by the so-called social civilization. Romantic music style emphasizes the subjective feelings of oneself, especially for the strong individualized feelings of love and death. Love in Wagner ’s work is not simply to love for the sake of love, nor love as a feeling disappeared, but a love and can not love the contradiction. Through the music analysis of the works, the article will explain Wagner’s use of music as a musical style of narrating discourse.