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戏曲批评要立足于戏曲艺术的特定美学规律。套用话剧,尤其是写实话剧的审美方式来评判戏曲是不科学的。戏曲拥有更为丰富的形式审美资源,更擅长表现生活常理、人之常情、社会常识,追求舞台呈现的虚拟美。若以话剧标准来评价戏曲,难免出现审美判断的偏差。在第十一届中国艺术节上,有人批评《保婴记》《梦·红船》缺乏思想的深度,显然忽略了其舞台呈现的气韵生动、满台生辉;有人指责《保婴记》的“保婴”情节矛盾、离奇,
Drama Criticism Should Be Based on the Specific Aesthetic Law of Traditional Chinese Opera. It is unscientific to apply the drama, especially the aesthetic way of realistic drama, to judge the opera. Opera has a richer form of aesthetic resources, but also good at representing the common sense of life, common sense, social common sense, the pursuit of the stage of virtual beauty. If we use the standard of drama to evaluate the drama, it is inevitable that there will be a deviation of the aesthetic judgment. At the 11th Chinese Arts Festival, some people criticized the lack of ideological depth in the book “Baby Red” and “Dream Red Ship”, apparently ignoring the vivid atmosphere and full of brilliance presented by the stage. Some blamed “ ”Baby Girl " plot contradiction, bizarre,