中国的艳俗艺术,是从泛政治波普热潮中衍生出的一种语言方式。一方面,中国20世纪90年代中期消费文化的泛滥,为它提供了艳俗的审美语境,同时,也是上世纪新文化运动之后艺术通俗化线索的结晶。艳俗艺术发生于20世纪90年代中期,在俸正杰和祁志龙等人的作品中达到了成熟的境地。 China’s gaudy art is a linguistic form derived from the pan-pop booming boom. On the one hand, the proliferation of consumer culture in the mid-1990s in China provided it with a glamorous aesthetic context, at the same time, it also crystallized the popularization of art after the New Culture Movement of the last century. Popular art occurred in the mid-1990s and reached a mature stage in the works of Feng Zhengjie and Qi Zhilong.