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美,是审美范畴的主要对象,而丑在一定条件下同样可以成为审美范畴的成员。它一旦进入艺术审美领域,作为审美对象的时候也就产生一种特殊的审美价值。根之丑不同于生活中的丑,它是根艺作品的主要特征。由于自然生长环境的不规则性,从而生产了奇谲怪异多维的固态根料。那些蛀蚀毁损的坑洞,疤结瘤块,扭曲的线条纹理,奇形的残干怪枝,斑驳陆离的色相。它们蕴蓄着各种不同的美的信息,它给予创作者冲动激情与灵感。实践证明,凡是好的根艺作品都离不开根之丑。从某种意义上讲,没有根之丑也就没有根艺,这绝不是荒谬之悖论。清代刘熙载曾在《艺概》中指出:怪石以丑为美,丑到极处,便是美到极处。西方美学家艺术理论家贺迦兹认为丑是自然的一种属性,适宜可以产生美,不适宜则会变成丑。在这里我们用它来评价根之丑是再恰当不过的了。根之丑是根艺美的先天基础,在一定条件下,根丑到极处根艺便是美到极处。这是艺术创作中美与丑对立辨证的统一。根之丑,不仅是在与美相比较相对衬中才显现其审美价值的。很多自然根料除外在的形式程序外,其自身即蕴含着自然大化的内在律动和规律,蕴蓄着不同
The United States is the main object of the aesthetic category, while ugliness can also become a member of the aesthetic category under certain conditions. Once it enters the field of aesthetic art, it has a special aesthetic value as an aesthetic object. Ugly root is different from the ugly life, it is the main feature of Genyi works. Due to the irregularity of the natural growth environment, odd-shaped odd-shaped multi-dimensional solid roots are produced. Those that corrode damaged potholes, scar nodules, distorted lines texture, strange odd stubborn branches, mottled hue. They contain a variety of different beautiful information, which gives the creator impulse passion and inspiration. Practice has proved that all good root art works are inseparable from the root of ugliness. In a sense, there is no root art without root ugly, which is by no means ridiculous paradox. In the Qing Dynasty, Liu Xizai once pointed out in Art Alley that the rock is ugly and the ugly is extremely beautiful. He Gazi, an art theorist of Western aesthetics, thinks ugliness is a property of nature, suitable to produce beauty, and inappropriate to become ugliness. Here we use it to evaluate the ugly root is appropriate. The ugly root is the innate foundation of the root art and beauty. Under certain conditions, root art is extremely beautiful at its root. This is the unification of dialectical contradictions between China and the United States in artistic creation. The root ugly, not only in the relatively contrast with the United States before showing its aesthetic value. In addition to the formal procedures of many natural materials, it inherently contains inherent laws and laws of natural enlargement,