带着“新感觉派”、“意识流”等西方文学理论与表述方法,川端康成不断地向着传统大和文化皈依溯源,而《雪国》的创作可以说是川端康成“新潮”与“传统”的荟萃,是他二战前后作品的集大成者,是他审美意识形态中潜在的传统的苏醒,是一次向日本传统审美的回归和追溯。这种文化、精神的拉扯成就了《雪国》的不灭之美。 Kawabata Yasunari continues to follow the traditional Yamato culture with traces of Western literary theories and expressions such as “New Sensation ”, “Stream of Consciousness ”, etc. The creation of “Snow Country” can be said that Kawabata Yasunari The “metaphor of” and “tradition” is a masterpiece of his works before and after World War II, a potential traditional wake in his aesthetic ideology, and a return and tracing to Japan’s traditional aesthetic. This cultural, spiritual pull achievements “snow country” immortal beauty.