《娘》是湘西青年作家彭学明的长篇纪实散文作品,短短的八万字,字字血声声泪,语言质朴感人,带有浓郁的湘西红土的气息,通过还原大山里贫穷苦难的农村生活记录下“娘”的一生,谱写了一曲感天动地的母爱挽歌。彭学明笔下的“娘”历经生活的苦难和命运的捉弄,用自己弱小的身躯为孩子撑起一片广阔的天空,娘与其他中国传统女性一样的善良勤劳,质朴无华,但不同于一般的女性,娘又是朴实顽强,泼辣个性的。娘看似矛盾的性格,但这矛盾中天然孕育着统一,本文旨在分析“娘”性格中的两面性入手,探究彭学明《娘》中“娘”形象的艺术价值。 “Mother” is a long-length documentary essay by the young writer Peng Xueming in western Hunan Province. The short 80,000 words of Chinese characters are sobbed, the language is simple and touching, with a strong flavor of the red clay in Xiangxi. By restoring the poor and misery life in the mountains Record the life of “mother ”, compose a feeling of heavenly maternal love elegy. PENG Xue-ming’s “Niang ” has experienced the misery and destiny of life and used her own weak body to prop up a vast sky for her children. Her mother was as industrious and industrious as other traditional Chinese women, but unlike ordinary Women, women are simple and tenacious, pungent personality. The contradictory nature of the mother is the contradictory character, but this contradiction naturally breeds unity. This article aims to analyze the two sides of the character of “mother” to explore the artistic value of the image of “mother” in Peng.