粉碎“四人帮”以后,话剧舞台上出现了一批以反映革命历史、歌颂老一代无产阶级革命家为题材的作品,深受广大观众的欢迎。话剧这样做了,戏曲又将如何呢?为全国人民所热爱的老一代无产阶级革命家的英雄形象,能不能出现在戏曲舞台上呢?这是人们所关心的问题,也是传统的戏曲艺术所面临的难题。 After the smashing of the “Gang of Four,” a batch of works featuring the revolution history of the revolutionary generation and praising the proletarian revolutionaries of the older generation appeared on the stage of the drama and were well received by the vast audience. How can the drama be done in this way? How can the opera be transformed? Can the heroic image of the proletarian revolutionaries of the older generation who are loved by the people throughout the country appear on the opera stage? This is a matter of concern and is also confronted by the traditional drama art The problem