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声音,从另一方面看,被冰冷地排除在技术和电影思考之外。眼睛在看之前必须先听,声音的支配性是完全、彻底的,那么,现在所要进行的斗争则是要让影像能够说话,让观看者听到无法被说出来的声音。——让-吕克·戈达尔1电影视听艺术研究侧重的是对叙事结构和视觉图像的分析,声音风格层面的分析往往被不恰当地忽略了。显然这一分析模型主要来源于文学批评和艺术史,对电影视听媒介的理解与阐释主要依赖的是文学、哲学、图像理论等,声音的作用仅在于对视觉经验的解释,即在于对逻各斯中心主义叙事的音乐配置,这样的认识至今仍有着相当的影响力。在视听艺术研究中强调对视觉与图像的分析,
Sound, on the other hand, is coldly excluded from technical and cinematic thinking. The eyes must first be heard before looking, and the dominance of the voice is complete and thorough. Then the struggle now is to make the image speak and let the viewer hear unintelligible voices. Jean-Luc Godard 1 Film audio-visual art studies focus on the analysis of narrative structures and visual images, and sound-style analysis is often inappropriately ignored. Obviously, this analysis model comes mainly from literary criticism and art history. The understanding and interpretation of movie audio-visual media mainly depend on literature, philosophy and image theory. The function of sound lies only in the interpretation of visual experience, that is, The conception of the music of the centrist narration, so far, this understanding still has a considerable influence. In the study of audio-visual art emphasizes on visual and image analysis,