新世纪女性诗人采取的个人化本真创作模式,使她们在诗歌中塑造了丰富多元的女性形象的同时,也呈现出女性诗人内部的多元取向以及话语差异。因而,本章重点针对路也、施施然、郑小琼这三位具有代表性的女性诗人的诗歌作品进行详读。从诗歌中女性形象塑造所具有的现实针对性角度把握新世纪女性诗歌创作上的新走向。其中,路也通过塑造执着追求爱情的痴女形象,完成与后工业时代中人类尴尬生存境遇、精神困境的对话。施施然诗歌中所塑造的古典美 In the new century, the personal poets adopted the mode of creation of their own individuality, which enabled them to create a rich and varied image of women in their poems. Meanwhile, they also showed the pluralistic orientation and discourse differences within women poets. Therefore, this chapter focuses on the detailed reading of poetry works of three representative female poets, Lu Ya, Shi Ran and Zheng Xiaoqiong. Grasping the New Tendency of Female Poetic Creation in the New Century from the Perspective of Reality Targeted by the Female Image in Poetry. Among them, the road through the creation of a persistent pursuit of love idiot image, complete with the post-industrial era of human embarrassment of the living conditions, the spirit of the dialogue. The classical beauty in Shi Ran’s poetry